![]() ![]() Within this placid atmosphere, Kogonada paints the quiet agony of humanity. So smoothly that the film's ending seems almost cruelly abrupt. Their initial ennui folds into regret folds into mourning folds into resignation, smoothly. The ensemble's performances are in sync with the muted aesthetic, made up of longing looks and hushed tones. The poetry in these scenes is bolstered by a tender piano score and a color palette of hazy golds and teals. Each contains hidden depths, touching on mortality, family, and memory. This is not a film of gnashing teeth but of nearly whispered conversations about butterflies, tree grafting, and tea leaves. After yang how to#But rather than focus on the hurt and rage that comes with grief, Kogonada explores a quieter kind of reflection.Īnd so a machine teaches a man how to be human. Early on, it's clear there's no coming back for him. There's no suspense about whether Yang will die. While Jake seeks to get Yang repaired, his journey takes him into a deeper understanding of this world and of the son he is destined to lose. This last element is where Kogonada dips into more traditional science fiction visuals, unfurling a virtual galaxy where memories spread out like a constellation of stars, which can be visited with the blink of an eye. But when Yang abruptly powers down, they realize how much they relied on him as a part of their family.Ī sci-fi film in content but not spectacle, After Yang weaves into its world not only androids that look indecipherable from people, but also clones, conspiracy theorists, and a mapping of consciousness. Her parents Jake (Colin Farrell) and Kyra (Jodie Turner-Smith), hoped Yang would give their child a connection to her Chinese heritage through "fun facts" and lessons in history and philosophy. Min) was purchased to be a big brother to an adopted Chinese daughter named Mika (Malea Emma Tjandrawidjaja). But they are also machines, manufactured to expand on the virtual personal assistants we know today. These androids look like humans and when "dead," can decay. Written and directed by Kogonada, After Yang is adapted from Alexander Weinstein's short story "Saying Goodbye to Yang." In a not-so-distant future, artificial intelligence is so commonplace that "technosapiens" are a household fixture. In the latter, you see how his growth as an actor has developed with restrained yet poignant performances in arthouse films like The Killing of a Sacred Deer and The Lobster.īut while The Batman aims to pull you to the edge of your seat, After Yang pushes us - gently but firmly - toward self-reflection on the meanings of life, love, death, and memory. In the former, you see the alluring mischief that made Farrell a sought-after bad boy/hunk in the 2000s. All you need do is pair The Batman - in which a barely recognizable yet nonetheless riveting Farrell plays the dastardly Penguin - with After Yang, in which the Irish actor plays a father rocked by ennui and grief. “There’s not just flavour in aroma – there’s also history,” he says.Today, you could go to theaters for a DIY double-feature that nicely encapsulates the range of Colin Farrell. Kyra believes they have become over-reliant on Yang and need to take a more hands-on approach to parenting Mika, while Jake muses about how a cup of tea can “contain a world” and “transport you to a place and time”. Despite the sci-fi trappings, it’s a story about going back to basics and reconnecting with your family. To Jake’s shock, not only can she access Yang’s memories of his family, but also his previous owner (Haley Lu Richardson) – a young woman Jake becomes determined to track down.Ītmospheric, gentle and languid, rather than propulsive, After Yang is very much a meditation on the human condition. After an internal examination reveals a camera, Russ warns against recycling due to the data Yang will have on Jake and his family, and suggests taking him to the local museum and “technosapien” specialist Cleo (Sarita Choudhury). ![]() In After Yang, Colin Farrell delivers an introspective and poignant turn as a father desperate to save a beloved member of his whānau.ĭespite it being potentially against the law, Jake takes his neighbour’s advice and meets with a technician named Russ (Ritchie Coster). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |